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The Norton Anthology of Modern and Contemporary Poetry is an anthology of two volumes edited by Jahan Ramazani, Richard Ellmann (1918–1987), and Robert O'Clair. The anthology is large, with 1,100 pages in each of the two volumes. Volume I, about modern poetry, and Volume II, contemporary poetry. Essays on poetics are included in each volume. [1]
The Norton Anthology of Poetry is one of several literary anthologies published by W.W. Norton and Company.It is intended for classroom use, [1] and has sold well. [2]The anthology appeared in 1970 and is in its sixth edition, a volume which includes 1,871 poems. [3]
The first edition of The Norton Anthology of English Literature, printed in 1962, comprised two volumes.Also printed in 1962 was a single-volume derivative edition, called The Norton Anthology of English Literature: Major Authors Edition, which contained reprintings with some additions and changes including 28 of the major authors appearing in the original edition.
The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe. [2] It is considered a canonical work of modernist poetry and has been reprinted in several collections, including The Norton Anthology of Modern Poetry .
The Norton Anthology of American Literature is a compendium of various works by authors of specifically American birth or naturalization, ranging from short poems, pamphlets, and novellas to longer entries such as entire novels and philosophical pieces. This collection proceeded from a series of other anthologies including English Literature ...
The Norton Reader: An Anthology of Nonfiction editors: Melissa Goldthwaite, Joseph Bizup, John Brereton, Anne Fernald, Linda Peterson 14th edition with 2016 MLA updates, 2016, ISBN 978-0-393-61740-5 , 1200 pages [ 1 ]
The work follows the travails of a character named Henry who bears a striking resemblance to Berryman. But according to The Norton Anthology of Modern Poetry:. When the first volume, 77 Dream Songs, was misinterpreted as simple autobiography, Berryman wrote in a prefatory note to the sequel, "The poem then, whatever its cast of characters, is essentially about an imaginary character (not the ...
The philologist and Tolkien scholar Tom Shippey wrote that, with its inclusion in The Norton Anthology, a set text for the mandatory introductory course in English for all American undergraduates, Heaney's was "the poem now, for probably two generations". [21]