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Princess Beatrice in her wedding dress, Osborne, 1885. Beatrice wore her mother's wedding veil of Honiton lace.. On the event of her wedding to Prince Henry of Battenberg at Saint Mildred's Church at Whippingham, near Osborne, on 23 July 1885, Princess Beatrice of the United Kingdom wore a wedding dress of white satin, trimmed with orange blossom and lace, [1] the lace overskirt held by ...
From "The Royal Wedding Dresses" by Nigel Arch and Joanna Marschner (p. 58): "She wore a 'half-high dress with a deep flounce of Honiton lace, a veil of the same and a wreath of orange blossom and myrtle'." [1] It was a simple style and not embellished with a court train. [1]
Markle's wedding dress was compared to a formal dress Bessette-Kennedy once wore during her life, and her reception dress had similarities to Bessette-Kennedy's now-classic wedding gown at her wedding to John F. Kennedy Jr. in 1996, although Markle's reception dress was a 1990s-style halter dress. [35] Markle's wedding dress received mixed ...
The dress was taken to the palace a day before the wedding in a 4-foot (1.2 m) box. On the wedding day, the dress glittered, bejewelled with pearls "skilfully combined with flowing lines of wheat ears, the symbol of fertility, and worked in pearl and diamante." [9]
In contrast, the wedding dress of Catherine Middleton, for her marriage to Prince William, Diana's elder son, incorporated motifs cut from machine-made lace appliquéd to silk net. [11] The dress featured "lace flounces adorning neckline and sleeves". [8] A replica of the dress at West Edmonton Mall, in Edmonton, Canada, in 2013
[123] [124] In Scandinavia, the bridal veil is usually worn under a traditional crown and does not cover the bride's face; instead, the veil is attached to and hangs from the back. [125] A bridal veil is not normally worn during a civil marriage ceremony, nor when the bride is remarrying. In these cases, when it is worn, the veil is worn as a ...
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Princess Alexandra of Denmark, in her wedding dress (10 March 1863) The dress was made of white silk satin (the silk was woven at Spitalfields) trimmed with orange blossoms, myrtle, puffs of tulle and Honiton lace. [3] It had a similarly trimmed 21-foot (6.4 m) silver moiré train, which was carried by eight young ladies aged 15 to 20.