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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Wood-engraving was his primary method at this time. [5] In the late 1840s and early 1850s, he made several text comics, like Les Travaux d'Hercule (1847), Trois artistes incompris et mécontents (1851), Les Dés-agréments d'un voyage d'agrément (1851) and L'Histoire de la Sainte Russie (1854).
Original - Charon, from Dante's Divine Comedy, as depicted by Gustave Doré. Reason Gustave Doré was a major engraver - usually considered amongst the masters of the craft - and this particular engraving is dramatic and very nicely composed. Even at this tiny 250px size, it's dramatic and interesting, at full size, it is spectacular.
London: A Pilgrimage is a book first published by Grant & Co in 1872, with text by the English journalist William Blanchard Jerrold and illustrations by the French artist Gustave Doré. It was originally published in 13 parts, with 191 pages and illustrations, and then serialised in Harper's Weekly. It has been described as a populist picture book.
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Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut , it uses relief printing , where the artist applies ink to the face of the block and prints using relatively low pressure.