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The Spits are an American punk rock band formed in Kalamazoo, Michigan in 1993. They later moved to Seattle. They later moved to Seattle. Currently, the band has released six albums.
NOFX / The Spits is a split EP between punk bands NOFX and the Spits. It was released on November 23, 2010 on vinyl only [ 1 ] [ 2 ] but is now available for digital download. Track listing
Boats, Beaches, Bars & Ballads is a four disc compilation box set of Jimmy Buffett and the Coral Reefer Band's greatest hits, rarities, and previously unreleased songs. Released in 1992, the collection received Recording Industry Association of America quadruple platinum certification in 2001.
143 is the debut studio album by British pop duo Bars and Melody. It was released in the United Kingdom on 21 August 2015. The album peaked at number 4 on the UK Albums Chart. The album includes the singles "Hopeful", "Keep Smiling" and "Stay Strong".
Back to the Bars is a live album by rock musician Todd Rundgren, which was released as a double LP in 1978. The album was recorded during week-long stints in New York City (The Bottom Line), Los Angeles , and Cleveland . The music featured the best of Rundgren's most commercial work spanning seven of the eight solo albums released in the 1970s ...
A peresyp (пересыпь) or a bay-mouth bar [1] is a narrow sandbar that rises above the water level (like a spit) and separates a liman or a lagoon from the sea. Unlike tombolo bars, a peresyp seldom forms a contiguous strip and usually has one or several channels (called girlo ( гирло ) in Russian) that connect the liman and the sea.
Spit is the debut studio album by Canadian heavy metal band Kittie, originally released on November 13, 1999, through Ng Records. Kittie were formed in 1996, and signed a four-album deal with Ng following their performances at the Canadian Music Week festival in March 1999.
The Washington Post wrote that "the New York-based quintet employs a sparser, more open sound that even turns jazzy for the album's final track, 'November'." [ 10 ] The Hartford Courant called the album "[Richard] Butler's most varied and interesting work in more than a decade."