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The Puritan culture of the New England colonies of the seventeenth century was influenced by Calvinist theology, which believed in a "just, almighty God," [1] and a lifestyle of pious, consecrated actions. The Puritans participated in their own forms of recreational activity, including visual arts, literature, and music.
Broadly speaking, a conversion narrative is a narrative that relates the operation of conversion, usually religious. As a specific aspect of American literary and religious history, the conversion narrative was an important facet of Puritan sacred and secular society in New England during a period stretching roughly from 1630 to the end of the First Great Awakening.
John Milton (1608–1674), most famous for his epic poem "Paradise Lost" (1667), was an English poet with religious beliefs emphasizing central Puritanical views.While the work acted as an expression of his despair over the failure of the Puritan Revolution against the English Catholic Church, it also indicated his optimism in human potential.
In the 17th century, the word Puritan was a term applied not to just one group but to many. Historians still debate a precise definition of Puritanism. [6] Originally, Puritan was a pejorative term characterizing certain Protestant groups as extremist. Thomas Fuller, in his Church History, dates the first use of the word to 1564.
On the other hand, Hill gives examples of conforming Puritans who did not object to set forms of worship. [15] Towards the end of King James's reign Marco Antonio de Dominis analysed the views of the Church of England and Roman Catholic Church , concluding that, excepting the views of the Puritans, they were at root compatible.
Anderson, Robert Charles, The Great Migration Begins, Immigrants to New England, 1620-1640 (multi-vol series), Boston: New Historic Genealogical Society, 1995. Beeke, Joel, and Randall Pederson, Meet the Puritans: With a Guide to Modern Reprints, (Reformation Heritage Books, 2006) ISBN 978-1-60178-000-3
Ancient literature comprises religious and scientific documents, tales, poetry and plays, royal edicts and declarations, and other forms of writing that were recorded on a variety of media, including stone, clay tablets, papyri, palm leaves, and metal.
This article references captivity narratives drawn from literature, history, sociology, religious studies, and modern media. Scholars point to certain unifying factors. Of early Puritan captivity narratives, David L. Minter writes: First they became instruments of propaganda against Indian "devils" and French "Papists."