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Originally, a "Christmas carol" referred to a piece of vocal music in carol form whose lyrics centre on the theme of Christmas or the Christmas season. The difference between a Christmas carol and a Christmas popular song can often be unclear as they are both sung by groups of people going house to house during the Christmas season.
The Oxford Book of Carols is a collection of vocal scores of Christmas carols and carols of other seasons. It was first published in 1928 by Oxford University Press and was edited by Percy Dearmer, Martin Shaw and Ralph Vaughan Williams. It became a widely used source of carols among choirs and church congregations in Britain.
"Masters in This Hall" (alternative title: "Nowell, Sing We Clear") is a Christmas carol with words written around 1860 by the English poet and artist William Morris to an old French dance tune. The carol is moderately popular around the world but has not entered the canon of most popular carols.
The 50 Best Christmas Carols of All Time 1. "Silent Night" — Michael Buble. Listening to this calming carol will have you completely at peace! 2. "O Come All Ye Faithful" — Martina McBride.
The carol, based on Luke 2:8–14, tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield , two of the founding ministers of Methodism , with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn 's cantata Festgesang ...
The Calypso Carol is a popular modern Christmas carol, with the opening line "See him lying on a bed of straw". It has often been introduced by BBC announcers and others as a traditional folk carol from the West Indies . [ 1 ]
The sheet music from Husk's 1868 book, which contains the farthest-back reference of it being sung (to the 1790s), resembles today's, [2] and in the oldest known sheet music publication, from an 1813 piece in England's Times Telescope, the tune resembles today's. [14] Gower Wassail appears to be a related wassailing song.
The words were written by George Ratcliffe Woodward (1848–1934) to the traditional tune "London Waits". Woodward added lines to the traditional refrain in a style characteristic of his delight in archaic poetry. [2] It was published in A Cambridge Carol Book: Being Fifty-two Songs for Christmas, Easter and Other Seasons in 1924. [3]