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"Sunday" is a 1926 song written by Chester Conn, with lyrics by Jule Styne, Bennie Krueger, and Ned Miller, which has become a jazz standard recorded by many artists.The tune has been fitted out to various lyrics, but best known in the original version of British-American songwriter Jule Styne: "I'm blue every Monday, thinking over Sunday, that one day that I'm with you"
The Three Words to Remember in Dealing with the End EP: 2004 "Last Young Renegade" Last Young Renegade: 2017 "Let It Roll" So Wrong, It's Right: 2007 "Life of the Party" Last Young Renegade: 2017 "Lost in Stereo" Nothing Personal: 2009 "Lost Along the Way" Tell Me I'm Alive: 2023 "A Love Like War" featuring Vic Fuentes Don't Panic: It's Longer ...
Remember Sunday is a 2013 American romantic drama film directed by Jeff Bleckner, written by Michael Kase and Barry Morrow, and starring Zachary Levi and Alexis Bledel. [ 1 ] [ 2 ] [ 3 ] Plot
Stephen Sondheim circa 1970. Stephen Sondheim was an American composer and lyricist whose most acclaimed works include A Funny Thing Happened on the Way to the Forum (1962), Company (1970), Follies (1971), A Little Night Music (1973), Sweeney Todd: The Demon Barber of Fleet Street (1979), Sunday in the Park with George (1984), and Into the Woods (1987).
The original version of "Remember" was over eight minutes long. [3] This version contained an organ overdub, more double-tracked vocals, and a Jew's harp. Lennon cut the recording down and added the closing explosion. [3] A rehearsal take of "Remember", showing the musicians working on the song's tempo, appears on the 1998 box set John Lennon ...
Sunday, Monday or Always" is a 1943 popular song with music by Jimmy Van Heusen and lyrics by Johnny Burke. The biggest hit version, recorded by Bing Crosby with the Ken Darby Singers on July 2, 1943, [ 1 ] and appearing in his film Dixie , was made during a musician's strike , and recorded with a vocal group background instead of an orchestra ...
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The film juxtaposes these lyrics by presenting the song in the context of Tom, a character played by Carradine, who is a manipulative womanizer. In the film, when Tom performs the song at the Exit/In (a real-life Nashville music club where the scene was shot), he dedicates it to "a special someone".