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The "quint" free-bass system invented by Willard Palmer – later patented by Titano, has extra bass rows to extend the existing bass arrangement of the Stradella system. [6] The quint version and chromatic-button versions were available in "converter" (or "transformer") models with a control to switch from standard Stradella to free-bass. [7]
Bassinvaders (also known as Markus Grosskopf's Bassinvaders) is the bass guitar-focused side project of Helloween bassist Markus Grosskopf. The project is a unique heavy metal experiment which features only the bass guitar and does not include any conventional six-string electric or acoustic guitars. The project focuses on the bass guitar ...
Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
"The terms riff and fill are sometimes used interchangeably by musicians, but [while] the term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. [2] While riffs are repeated, fills tend to be varied over the course of a ...
The composition is written in the traditional concerto form of three movements but without orchestral ensemble. It was the composer's intention to illustrate the vast orchestral tonalities and harmonic flexibility of the free-bass instrument by showcasing its potential as both a solo instrument as well as an orchestral entity.
He also noted that Justin Chancellor's bass riff "stays on the original [guitar] riff so there are some nice little conflicting moments between the two parts". [ 10 ] Thematically, the song is titled after the Greek term for spirit or soul, pneuma , and contains many allusions to "breathing".
This part ends with an orchestral passage which leads into a guitar solo. After this guitar solo ends, a bass riff is played that leads directly into the song's second part. II: "A Latin Break" As its name implies, this part of the song incorporates elements of reggae and Latin music, which would also heavily influence the band's next album.
John Szwed notes that in "Black Bottom Stomp," "Morton practiced what he preached, managing to incorporate in one short piece the 'Spanish tinge,' stomps, breaks, stoptime, backbeat, two-beat, four-beat, a complete suspension of the rhythm section during the piano solo, riffs, rich variations of melody, and dynamics of volume, all of the elements of jazz as he understood it."