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Tuckpointing was a way of achieving a similar effect using cheap, unrubbed bricks; these were laid in a mortar of a matching colour (initially red, but later, blue-black bricks and mortar were occasionally used) and a fine fillet of white material, usually pipe clay or putty, pushed into the joints before the mortar set. [4]
There is also tuckpointing, where a mortar of a contrasting colour is 'tucked' into the masonry joint. If the color of the new mortar is still not similar to the old mortar after repointing and setting, the non-repointed areas of the structure can be cleaned. This may bring the colors closer together.
While the dry stone technique is most commonly used for the construction of double-wall stone walls and single-wall retaining terracing, dry stone sculptures, buildings, fortifications, bridges, and other structures also exist. Traditional turf-roofed Highland blackhouses were constructed using the double-wall dry stone method. When buildings ...
English medieval walls often contain a mixture of cobbles, rubble and re-used brick, though the picture from Thetford shows almost exclusively cobbles. Some cobblestone architecture shows consistent matching in the size of the stones used, shape, and color. [5] This method of construction has been referred to as a form of folk art. [10]
A mason laying a brick on top of the mortar Bridge over the Isábena river in the Monastery of Santa María de Obarra, masonry construction with stones. Masonry is the craft of building a structure with brick, stone, or similar material, including mortar plastering which are often laid in, bound, and pasted together by mortar.
Rubble masonry or rubble stone is rough, uneven building stone not laid in regular courses. [ 1 ] [ 2 ] It may fill the core of a wall which is faced with unit masonry such as brick or ashlar . Some medieval cathedral walls have outer shells of ashlar with an inner backfill of mortarless rubble and dirt.
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