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Initial sessions for the album occurred on July 26, 1968 when the band recorded "Wild Child" and "Wishful Sinful" ("Easy Ride" was a Waiting for the Sun leftover, captured on March 3, 1968). In September 1968, the group played dates in Europe, along with Jefferson Airplane , before ending their long, grueling touring schedule with nine concerts ...
The Doors Collection is a music video compilation by the American rock band the Doors, released on Laserdisc and DVD in 1995 and 1999, respectively. It compiles three films previously released on VHS by MCA/Universal Home Video: Dance on Fire (1985), Live at the Hollywood Bowl (1987) and The Soft Parade – A Retrospective (1991).
The band also mime to "Wild Child". Recorded December 15, 1968. The last known footage of the Doors playing together is rehearsal footage of "Crawling King Snake" recorded in the Doors Workshop on Santa Monica Blvd in late 1970. Originally appeared on an Australian TV show called "GTK – Get To Know".
The Spy (The Doors song) Strange Days (Doors song) Summer's Almost Gone; Take It as It Comes (The Doors song) Tell All the People; Tightrope Ride; Touch Me (The Doors song) Treetrunk (song) Twentieth Century Fox (song) Unhappy Girl; The Unknown Soldier (song) Waiting for the Sun (song) The WASP (Texas Radio and the Big Beat) When the Music's ...
The use of the Doors song "The End", from their debut album, in the popular Vietnam War film, Apocalypse Now in 1979 and the release of the first compilation album in seven years, Greatest Hits, released in the fall of 1980, created a resurgence in the Doors. Due to those two events, an entirely new audience, too young to have known of the band ...
Live in New York is a six-disc box set of four complete concerts performed American rock band the Doors on January 17 and 18, 1970 at the Felt Forum in New York City. [3] Two shows were played each night, with 8:00pm and 11:00pm scheduled start times on January 17, and 7:30pm and 10:00pm scheduled start times on January 18.
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The book The Doors, by the remaining Doors, quotes Morrison's close friend Frank Lisciandro as saying that too many people took a remark of Morrison's that he was interested in revolt, disorder, and chaos "to mean that he was an anarchist, a revolutionary, or, worse yet, a nihilist. Hardly anyone noticed that Jim was paraphrasing Rimbaud and ...