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The Fantasy for piano, vocal soloists, mixed chorus, and orchestra, Op. 80, usually called the Choral Fantasy, was composed in 1808 by then 38-year-old Ludwig van Beethoven. Beethoven intended the Fantasy to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808; the performers consisted of vocal soloists ...
Choral Fantasy (Beethoven) E. Es ist vollbracht (Beethoven) G. Germania (Beethoven) S. Symphony No. 9 (Beethoven) This page was last edited on 5 March 2024, at 14: ...
According to Sutton, the improvised piano fantasia is the work that was later written out and published as the Fantasia in G minor [fr; scores], Beethoven's Op. 77 (1809). [8] The Choral Fantasy was the last of the works to be composed; it was barely finished in time for the concert, leaving insufficient opportunity for rehearsal.
Choral Fantasy (Beethoven) Piano Sonata No. 13 (Beethoven) Piano Sonata No. 14 (Beethoven) Fantasies, Op. 116 (Brahms) Fantasia contrappuntistica; Indian Fantasy; C.
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Only slightly altered (with masculine rather than feminine endings), the theme appears in Beethoven's Choral Fantasy opus 80 for piano, chorus and orchestra, from 1808. The Choral Fantasy version is in turn widely viewed as a foreshadowing of the "Ode to Joy" melody employed in the final movement of the Ninth Symphony (1824). [2]