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Leather painting differs from leather dyeing in that paint remains only on the surface while dyes are absorbed into the leather. Due to this difference, leather painting techniques are generally not used on items that can or must bend nor on items that receive friction, such as belts and wallets because under these conditions, the paint may crack or wear off.
Although it is not as common as embossing, it is occasionally used to provide a different effect or appearance that fits a particular theme. Embossing and debossing on digitally printed applications is an off-line process, which may add a significant cost to the job. Embossing is basically used to create a distinctive effect.
Embossing (manufacturing), commercial scale embossing of sheet metal; Image embossing, the process to create highlights or shadows that will replace light/dark boundaries of an image; Leather embossing; Paper embossing, the raising of paper and other non-metal products using specific tools to accomplish the task
Embossed wall coverings made to imitate antique embossed leather include Tynecastle, or Modeled Canvas. It was developed and patented in 1874 by designer W. Scott Morton (1840–1903). It was made by hand pressing canvas into carved wooden molds and dry it. It was colored after it was stuck to the wall. [6] Japanese Leather Paper imitates ...
A variant of engraving, done with a sharp point, rather than a v-shaped burin. While engraved lines are very smooth and hard-edged, drypoint scratching leaves a rough burr at the edges of each line. This burr gives drypoint prints a characteristically soft, and sometimes blurry, line quality.
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...