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Happiness Bastards is the ninth studio album by American rock band the Black Crowes, released on March 15, 2024, through Silver Arrow Records. [ 1 ] [ 2 ] The album was produced by Jay Joyce . [ 3 ] It is the band's first album since their 2019 reformation, the first album of new material since 2009's Before the Frost...Until the Freeze , and ...
Pages in category "Albums produced by Jay Joyce" The following 54 pages are in this category, out of 54 total. This list may not reflect recent changes. B.
Sunday in Heaven is the third studio album by American singer-songwriter Zella Day. It was released on October 14, 2022, through Concord Records. The album was mostly produced by Jay Joyce, with additional production from Alex Casnoff and John Velasquez. In addition, it is her first album following the departure from her former label, Hollywood ...
It was released on November 13, 2023, as the third single from her third studio album, Bell Bottom Country. It was written by Wilson alongside Trannie Anderson and Paul Sikes, and was produced by Jay Joyce. Wilson performed the track live for the first time at the 57th Annual Country Music Association Awards.
Produced by Jay Joyce, the album was Wilson's first album to be released on a major label and contained 12 tracks. The album was the third studio collection released in Wilson's music career and the first issued on a major record label. The disc has since spawned two singles: "Dirty Looks" (2019) and "Things a Man Oughta Know" (2020). The ...
The Devil I Know is the fourth studio album by American country music singer-songwriter Ashley McBryde, and released on September 8, 2023, by Warner Music Nashville.It was preceded by the lead single "Light On in the Kitchen".
The album's title and release date were announced on May 9, 2024, [5] with the tracklisting following in June. [6] Her third studio album for BBR Music Group, Wilson once again recruited Jay Joyce to helm production, though this time the singer enlisted her touring band to play on the record instead of utilizing studio musicians. [5]
As the album was nearing completion, Clark and producer Jay Joyce made a conscious effort to avoid country music cliches, using experimental musicians and strings to make sounds unlike her previous work; the singer had anxiety about if Warner Records could successfully market it past the tepid reception to her 2016 album Big Day in a Small Town. [3]