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Germany's television market is the largest in Europe, with 34,000,000 TV households. The many regional and national public broadcasters are organised in line with the federal political structure. Around 90% of German households have cable or satellite TV, and viewers can choose from a variety of free-to-view public and commercial channels.
Culture change is a term used in public policy making and in workplaces that emphasizes the influence of cultural capital on individual and community behavior. It has been sometimes called repositioning of culture, [ 1 ] which means the reconstruction of the cultural concept of a society. [ 1 ]
However, the city-republics such as Frankfurt and Hamburg tended to have a free press, a rarity in 19th century Germany. [4] The Prussian invasion, occupation and annexation of Frankfurt was in large part motivated by the Prussian government's irritation with the Frankfurt free press; unlike Frankfurt, Prussia had severe censorship laws.
The political culture of Germany as of the early 21st century is known for the popular expectation for governments to ensure a degree of social welfare, [1] business and labour corporatism, and a multiparty system dominated by conservative and social democratic forces, with a strong influence of smaller Green, liberal and socialist parties.
The culture of East Germany varied throughout the years due to the political and historical events that took place in the 20th century, especially as a result of Nazism and Communism. A reflection on the history of arts and culture in East Germany reveals complex relationships between artists and the state, between oppositional and conformist art.
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In cultural anthropology and cultural geography, cultural diffusion, as conceptualized by Leo Frobenius in his 1897/98 publication Der westafrikanische Kulturkreis, is the spread of cultural items—such as ideas, styles, religions, technologies, languages—between individuals, whether within a single culture or from one culture to another.
Boyd and Richerson's book, Culture and the Evolutionary Process (1985), was a highly mathematical description of cultural change, later published in a more accessible form in Not by Genes Alone (2004). In Boyd and Richerson's view, cultural evolution, operating on socially learned information, exists on a separate but co-evolutionary track from ...