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This hymnal "consisted entirely of versions of Latin hymns, designed for use as Office hymns within the Anglican Church despite the fact that Office hymns had no part in the authorized liturgy. The music was drawn chiefly from plainchant", as was the case with the Veni Emmanuel tune for "O Come, O Come Emmanuel", the combination of which has ...
Advent songs (German: Adventslieder) are songs and hymns intended for Advent, the four weeks of preparation for Christmas. Topics of the time of expectation are the hope for a Messiah , prophecies, and the symbolism of light, among others.
The Seventh-day Adventist Hymnal is the official hymnal of the Seventh-day Adventist Church and is widely used by English-speaking Adventist congregations. It consists of words and music to 695 hymns including traditional favorites from the earlier Church Hymnal that it replaced, American folk hymns, modern gospel songs, compositions by Adventists, contemporary hymns, and 224 congregational ...
Based on a medieval Latin hymn "Puer natus in Bethlehem", publ. in Danish in the hymn books of Hans Tausen and Hans Thomissøn in 1553 and 1569, resp. A children's favourite. "Et lidet barn så lysteligt" C. Balle / N.F.S. Grundtvig: 1855 / 1843 "Hjerte, løft din glædes vinger" Joh. Crüger / Paul Gerhardt, trans. C.J. Brandt 1653 / 1653 ...
Conditor alme siderum is a seventh-century Latin hymn used during the Christian liturgical season of Advent. [2] It is also known in English as Creator of the Stars of Night , from a translation by J.M. Neale .
In the seventeenth century, Rorate was arranged into a hymn combining the traditional text with other scriptural passages used in the liturgy for Advent. The earliest known version is in the Oratorian Officia Propria (1673); it also appears in French diocesan rites, such as the Rouen Processional of 1729 and 1763.
He comes with clouds descending" is a Christian hymn by Charles Wesley (1707–1788), based on an earlier hymn, "Lo! He cometh, countless Trumpets" by John Cennick (1718–1755). Most commonly sung at Advent, the hymn derives its theological content from the Book of Revelation relating imagery of the Day of Judgment.
"Come, Thou Long Expected Jesus" is a 1744 Advent and Christmas carol common in Protestant hymnals. The text was written by Charles Wesley.It is performed to one of several tunes, including "Stuttgart" (attr. to Christian Friedrich Witt), [1] "Hyfrydol" (by Rowland Prichard), [2] and "Cross of Jesus" (by John Stainer).