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Gwion Gwion (Tassel) figures wearing ornate costumes. The Gwion Gwion rock paintings, Gwion figures, Kiro Kiro or Kujon (also known as the Bradshaw rock paintings, Bradshaw rock art, Bradshaw figures and the Bradshaws) are one of the two major regional traditions of rock art found in the north-west Kimberley region of Western Australia.
The broad-stroke artwork of the Wandjina rock art dates to around 3800–4000 years ago. The emergence of this art style follows the end of a millennium-long drought that gave way to a wetter climate characterised by regular monsoons. [7] The Wandjina paintings have common colours of black, red and yellow on a white background.
An extensive gallery of Aboriginal art exists within a cave in Walga Rock. [ 2 ] : 46 [ 3 ] [ 6 ] While it is the subject of a great deal of research and fieldwork subsequent to a detailed examination conducted in the 1930s by the American anthropologist D. S. Davidson (who considered it to be "one of the most extensive galleries so far ...
Donaldson, Mike, Burrup Rock Art: Ancient Aboriginal Rock Art of Burrup Peninsula and Dampier Archipelago, Fremantle Arts Press, 2010. ISBN 978-0-9805890-1-6; Flood, J. (1997) Rock Art of the Dreamtime:Images of Ancient Australia, Sydney: Angus & Robertson
In the late 1940s and early 1950s, as Carrolup Native Settlement, the site became the setting of a Noongar (South-West Aboriginal) Art movement among the children resident there, [8] famous for its portrayals of local Western Australian scenes at sunset. [9]
The report was the result of four years of work by a team of archaeologists, rock art specialists, geomorphologists, geologists, specialist pilots and scientific divers, funded by the Australian Research Council, in collaboration with the Murujuga Aboriginal Corporation, [40] on a project known as the "Deep History of Sea Country" project. [41]