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Witches' Sabbath 13th-century CE portrayal of an unclean spirit. In folklore, the witching hour or devil's hour is a time of night that is associated with supernatural events, whereby witches, demons and ghosts are thought to appear and be at their most powerful.
Allmusic reviewer Johnny Loftus describes Zug Izland's music style as incorporating elements of piano ballads, goth, industrial and electronic music, nu metal and horror film scores. [1] According to Loftus, "Zug Izland's sparer style [is] unique in an alt-metal climate of two-guitar lineups and monstrous six-string bass bottom ends."
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. [1] [2] [3] [note 1] Traditionally, spirituality is referred to a religious process of re-formation which "aims to recover the original shape of man", [note 2] oriented at "the image of God" [4] [5] as exemplified by the founders and sacred texts of the religions of the world.
"Somebody's Knocking at Your Door", sometimes given as "Somebody's Knocking" and "Somebody's Knockin ' at Yo' Door", is a spiritual. The song's music and text has no known author, [ 1 ] but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
MOD is a computer file format used primarily to represent music, and was the first module file format. MOD files use the “.MOD” file extension , except on the Amiga which doesn't rely on filename extensions; instead, it reads a file's header to determine filetype.
From the website, she chose the discussion on The Beatles's song, "I Am the Walrus", as an example, due to its cryptic lyrics. Barton quoted one of the comments from the website, which considered the song as a "philosophy of life", and that it was a song that was a prime example of one that "threw into disarray the import placed upon lyrics".
The song was first mentioned in print in 1867, when it was published in the first edition of The Story of the Jubilee Singers: With Their Songs, by J. B. T. Marsh. [1] By 1917, when Harry Burleigh completed the last of his several influential arrangements, the song had become very popular in recitals. It has been called "perhaps the best known ...
Lyrically, the song refers to the liberation of the ancient Jewish people from Egyptian slavery. That story held a second meaning for enslaved African Americans, because they related their experiences under slavery to those of Moses and the Israelites who were enslaved by the pharaoh, [5] and the idea that God would come to the aid of the persecuted resonated with them.