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The surround consisted of the mantelpiece and side supports, usually in wood, marble or granite. The insert was where the fire burned, and was constructed of cast iron often backed with decorative tiles. As well as providing heat, the fireplaces of the Victorian era were thought to add a cosy ambiance to homes. [6]
The waiting rooms still retain two distinctive painted Victorian Arts & Crafts cast iron fire surrounds designed by Thomas Jeckyll (1827–1881) and produced by Barnard, Bishop and Barnard in Norwich for the Great Eastern Railway. Thomas Jeckyll was a trained architect and started working at the foundry in 1859 and is best known for his metal ...
The primary functions of a fireback are to protect the wall at the back of the fireplace and radiate heat from the fire into the room. The protection was especially important where the wall was constructed of insubstantial material such as daub (a mud and straw mixture coating interwoven wooden wattles), brick or soft stone.
The Adam mantels are in wood enriched with ornament, cast in molds, sometimes copied from the carved wood decoration of old times. [1] Mantels or fireplace mantels can be the focus of custom interior decoration. A mantel traditionally offers a unique opportunity for the architect/designer to create a personal statement unique to the room they ...
The interior features the historic woodwork, doors, wooden floors, Victorian fireplace surrounds, decorative crown moulding, historic light fixtures, a staircase with intact woodwork and an intact banister and balustrade that spirals up through the house’s many levels, terminating in a tall carved wood newel post with an integrated light ...
The wallpapers, picture railings, period furnishings, and potted ferns are in the same style as the Victorian features of the interior. In the fireplaces in the rear parlor, family room, and dining room, there are highly polished, hardwood mantels above small fireplaces.