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Blue faience saucer and stand, New Kingdom (1400–1325 BC) Egyptian blue is closely related to the other vitreous materials produced by the ancient Egyptians, namely glass and Egyptian faience, and it is possible that the Egyptians did not employ separate terms to distinguish the three products from one another. [9]
Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt. The sintering process "covered [the material] with a true vitreous coating" as the quartz underwent vitrification , creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass".
Egyptian faience pottery (as opposed to modern faience) was made from fired earthenware colored with a glaze. The art style was popular in the Third Intermediate Period (c. 1069 BC – c. 664 BC) of Egyptian history. Blue-green, the most popular color used on the earthenware, was achieved through the use of a quartz and calcite lime-based glaze ...
Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose ...
Scarabs were generally either carved from stone, or molded from Egyptian faience, a type of Ancient Egyptian sintered-quartz ceramic. Once carved, they would typically be glazed blue or green and then fired. The most common stone used for scarabs was a form of steatite, a soft stone that becomes hard when fired (forming enstatite), or porcelain ...
The ancient Egyptian Bull (hieroglyph), Gardiner sign listed no. E1, is the representation of the common bull. The bull motif is dominant in protodynastic times (see Bull Palette), and also has prominence in the early dynastic Egypt, famously on the Narmer Palette. Its phonetic value is kꜣ (Egyptological pronunciation "ka").
A new study has found that the Parthenon sculptures, previously thought to be white, were once painted with elaborate designs and patterns on their garments, using colors such as “Egyptian blue.”
The Serapeum of Saqqara was the ancient Egyptian burial place for sacred bulls of the Apis cult at Memphis.It was believed that the bulls were incarnations of the god Ptah, which would become immortal after death as Osiris-Apis, a name which evolved to Serapis (Σέραπις) in the Hellenistic period, and Userhapi (ⲟⲩⲥⲉⲣϩⲁⲡⲓ) in Coptic.