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  2. Robert Mapplethorpe - Wikipedia

    en.wikipedia.org/wiki/Robert_Mapplethorpe

    Robert Michael Mapplethorpe (/ ˈ m eɪ p əl ˌ θ ɔːr p / MAY-pəl-thorp; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs.

  3. Los Angeles Modern Auctions - Wikipedia

    en.wikipedia.org/wiki/Los_angeles_modern_auctions

    Any work on paper by the artist at auction Oct. 2014: Robert Mapplethorpe: Self Portrait: $87,500: New record for the edition Oct. 2014: Maria Pergay: Flying Carpet, daybed: $162,500: New record for the design at auction Feb. 2014: Ruth Asawa: Untitled S.437 (Hanging, Seven-Lobed, Two-Part Continuous Form within a Form with Two Small Spheres ...

  4. The Perfect Moment - Wikipedia

    en.wikipedia.org/wiki/The_Perfect_Moment

    The Perfect Moment was the most comprehensive retrospective of works by New York photographer Robert Mapplethorpe.The show spanned twenty-five years of his career, featuring celebrity portraits, self-portraits, interracial figure studies, floral still lifes, homoerotic images, and collages.

  5. Robert Mapplethorpe's "Perfect Moment" - AOL

    www.aol.com/news/robert-mapplethorpes-perfect...

    The controversial artist is being celebrated in a major new exhibition at NYC's Solomon R. Guggenheim Museum—three decades after his death—that calls for a rethinking of his oeuvre

  6. Piss Christ - Wikipedia

    en.wikipedia.org/wiki/Piss_Christ

    The art critic Lucy R. Lippard has presented a constructive case for the formal value of Serrano's Piss Christ, which she characterizes as mysterious and beautiful. [8] She writes that the work is "a darkly beautiful photographic image… the small wood and plastic crucifix becomes virtually monumental as it floats, photographically enlarged ...

  7. National Portrait Gallery (United States) - Wikipedia

    en.wikipedia.org/wiki/National_Portrait_Gallery...

    The Robert Mapplethorpe Foundation, which donated $10,000 to support the exhibit, also ended all funding for future Smithsonian exhibitions. Both decisions drew criticism from some gay rights supporters, who felt the funding cuts were too draconian since the remainder of the pieces continued to be exhibited. [47]