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Calderón de la Barca, a key figure in the theatre of the Spanish Golden Age. Spanish Golden Age theatre refers to theatre in Spain roughly between 1590 and 1681. [1] Spain emerged as a European power after it was unified by the marriage of Ferdinand II of Aragon and Isabella I of Castile in 1469 and then claimed for Christianity at the Siege of Granada in 1492. [2]
The last known such courtyard theatre to be built in Spain, Corral de comedias de Almagro, in Almagro, Castile-La Mancha, is a purpose-built theater that dates to 1628. [4] This only functioning courtyard theater still standing, once one among the many, [ 5 ] annually celebrates the Festival Internacional de Teatro Clásico (International ...
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. [ 1 ] This new focus in art , literature , quotes and science inspired by the Greco-Roman tradition of Classical antiquity , received a major impulse from several ...
A loa is a short theatrical piece, a prologue, written to introduce plays of the Spanish Golden Age or Siglo de Oro during the 16th and 17th centuries. These plays included comedias (secular plays) and autos sacramentales (sacred/religious plays).
[81] [82] In turn, Spanish Golden Age theatre has dramatically influenced the theatre of later generations in Europe and throughout the world. Spanish drama had an immediate and significant impact on the contemporary developments in English Renaissance theatre. [66] It has also had a lasting impact on theatre throughout the Spanish speaking ...
In the Spanish Golden Age (Siglo de Oro) tradition, a comedia is a three-act play combining dramatic and comic elements. The principal characters are noblemen (galanes; sg.: galán) and ladies (damas) who work out a plot involving love, jealousy, honor and sometimes also piety or patriotism.
The Spanish Renaissance began with the unification of Spain by the Catholic Monarchs and included the reigns of Carlos I and Felipe II. For this reason, it is possible to distinguish two stages: Reign of Carlos I: New ideas are received and the Italian Renaissance is imitated. Reign of Felipe II: The Spanish Renaissance withdraws into itself ...
Lope de Rueda (c.1505<1510–1565) [1] was a Spanish dramatist and author, regarded by some as the best of his era. A versatile writer, he also wrote comedies, farces, and pasos. He was the precursor to what is considered the golden age of Spanish literature. His plays are considered a transitional stage between Torres Naharro and Lope de Vega.