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The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...
Slide guitar is a common technique that can be played on acoustic, steel acoustic, and/or electric guitars. It is primarily used in the blues, rock, and country genres. [ 23 ] When playing with this technique, guitarists wear a small metal, glass, or plastic tube on one of their fretting hand fingers and slide it across the fretboard rather ...
In fret dressing, a luthier levels and polishes the frets, and crowns (carefully rounds and shapes) the ends and edges. Stainless steel guitar frets may never need dressing, because of the density of the material. [2] Not having frets carefully and properly aligned with the fingerboard can cause severe intonation issues and constant detuning.
From its introduction in 1922–23 to the 1940s, the L-5 came in different configurations (all strictly acoustic): Type one 16" - As it first appeared when originally introduced in Gibson's price list (April 1923), the L-5 sported a 16" body with a Cremona brown finish, birch or maple sides, a single-bound, 20-fret fingerboard with a pointed end, dot inlays, a slanted "The Gibson" script logo ...
The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958.It has a solid maple wood block running through the center of its body with hollow upper bouts and two violin-style f-holes cut into the top over the hollow chambers. [1]
Acoustic Black Widow (Electric 6 String Guitar) — Some were built by Mosrite. Sooner model (Electric 6 String Guitar) — Although not under the Mosrite name, these are associated with Mosrite. They share the same tailpiece as some Brass Rail models, and the bridge is non-adjustable for intonation.