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The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
In fret dressing, a luthier levels and polishes the frets, and crowns (carefully rounds and shapes) the ends and edges. Stainless steel guitar frets may never need dressing, because of the density of the material. [2] Not having frets carefully and properly aligned with the fingerboard can cause severe intonation issues and constant detuning.
Originally built around the Martin D-14 Fret platform, early examples included exotic tone woods, such as Brazilian Rosewood, which is no longer available in large quantities due to deforestation and subsequent treaty controls. Original D-28 guitars also used standard materials no longer found in current production models.
The Gibson ES-335 is a semi-hollow body semi-acoustic guitar introduced by the Gibson Guitar Corporation as part of its ES (Electric Spanish) series in 1958.It has a solid maple wood block running through the center of its body with hollow upper bouts and two violin-style f-holes cut into the top over the hollow chambers. [1]
Many guitarists did not desire the bulk of a traditional archtop guitar such as Gibson's L-5, one of Gibson's top models. The Byrdland, with its overall depth of 2 + 1 ⁄ 4 in (5.7 cm), is thinner than the L-5's 3 + 3 ⁄ 8 in (8.6 cm) depth. Gibson's president, Ted McCarty, sought opinions and ideas about new products. The suggestions from ...