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Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular. [23]
Yupei (Chinese: 玉佩; pinyin: Yùpèi) is a generic term for jade pendants. [1] Yupei were popular even before Confucius was born. [2]: 18 Jade culture is an important component of Chinese culture, [1] reflecting both the material and spiritual culture.
"These matching pendants were designed as serpentine dragons with backturned heads, coiled tails, and small fins that project above and below their undulating trunks. The rhythmic fluency of these creatures belies the unyielding quality of jade—a compact, fine-grained stone that cannot be carved and must be worn away with abrasive paste ...
The famous Hongshan pig-dragon jade pendant signifies a dragon assisting the mother goddess and as such being a symbol of fertility. The mythical dragon was integrated with the pig image as a result of the Hongshan culture being dependent on agricultural and domestic fortune which the pig symbolized. [64]
Gold, silver, and jade were some of the most commonly used materials by the jewelers in Ming times. Assorted gemstones and pearls were also used frequently along with the other materials. For the members of the Royal Court, a variety of headdresses, belts, trinkets, and other ornaments worn to denote status were made from a combination of silks ...
Wangjin is a kind of traditional headgear worn by adult men in the Chinese Ming Dynasty. In ancient China, the wangjin was usually made out of fibres or horsetail or could be made out of mixed fabrics such as silk or linen. The Korean manggeon of the Joseon period was a derivative of the wangjin and was introduced to Joseon during the Ming dynasty.