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The psychology of music preference is the study of the psychological factors behind peoples' different music preferences. One study found that after researching through studies from the past 50 years, there are more than 500 functions for music. [ 1 ]
The psychology of music, or music psychology, may be regarded as a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
research on music psychology Richard Parncutt (born 24 October 1957 in Melbourne) is an Australian-born academic. He has been professor of systematic musicology at Karl Franzens University Graz in Austria since 1998.
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
In 2022, Greenberg published the largest cross-cultural study to date on music in the Journal of Personality and Social-Psychology, with 356,649 participants across 53 countries. The study used both audio-based and genre-based methods to show that the patterns in correlations between personality traits and Western musical preferences are ...
Music Perception: An Interdisciplinary Journal is a peer-reviewed academic journal published by University of California Press five times a year. It was founded by Diana Deutsch. [1] According to the Journal Citation Reports, the journal has a 2018 impact factor of 1.152. [2]
Paul R. Farnsworth (August 15, 1899 – October 27, 1978) was an American music psychologist. He had a forty-year career at Stanford University where he researched the psychology of music preference. In addition to authoring three books, he was the editor of the Annual Review of Psychology from 1955 to 1968.
Music psychology uses the tools of musicology and psychology to explain and understand musical behavior and experience, including the processes by which music is perceived, created, responded to, and incorporated into everyday life.