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Hallelujah written in Modern Hebrew. Hallelujah (/ ˌ h æ l ə ˈ l uː j ə / HAL-ə-LOO-yə; Biblical Hebrew: הַלְלוּ־יָהּ , romanized: haləlū-Yāh, Modern Hebrew: הַלְּלוּ־יָהּ , romanized: halləlū-Yāh, lit. 'praise Yah') is an interjection from the Hebrew language, used as an expression of gratitude to God.
The Hebrew word Hallelujah as an expression of praise to God was preserved, untranslated, by the Early Christians as a superlative expression of thanksgiving, joy, and triumph. Thus it appears in the ancient Greek Liturgy of St. James , which is still used to this day by the Patriarch of Jerusalem and, in its Syriac recension is the prototype ...
Excerpt from the Halleluyah Scriptures, a Sacred Name Bible that uses the Paleo-Hebrew script for some divine names and Yeshayahu for "Isaiah" Sacred Name Bibles are Bible translations that consistently use Hebraic forms of the God of Israel 's personal name, instead of its English language translation, in both the Old and New Testaments .
Hallelujah first appears in the Book of Psalms — a compendium of sacred poems in the Jewish Bible that dates to the 5th or 4th century BC. There it generally prefaces the beginning of a passage ...
The name of the national god of the kingdoms of Israel (Samaria) and Judah is written in the Hebrew Bible as יהוה (), which modern scholars often render as Yahweh. [6] The short form Jah/Yah, appears in Exodus 15:2 and 17:16, Psalm 89:9, (arguably, by emendation) [citation needed] Song of Songs 8:6, [4] as well as in the phrase Hallelujah.
The Sacred Scriptures Bethel Edition (SSBE) is a Sacred Name Bible which uses the names Yahweh and Yahshua in both the Old and New Testaments (Chamberlin p. 51-3). It was produced by Jacob O. Meyer, based on the American Standard Version of 1901 and it contains over 977 pages.
Like Psalms 146, 147, 148, and 149, Psalm 150 begins and ends in Hebrew with the word Hallelujah. [3] Further, David Guzik notes that each of the five books of Psalms ends with a doxology (i.e., a benediction), with Psalm 150 representing the conclusion of the fifth book as well as the conclusion of the entire work, [4] in a more elaborate manner than the concluding verses which close the ...
Hallelujah. Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah, repeated in homophony, in a characteristic simple motif for the word, playing with the interval of a second, which re-appears