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Dutcher and Russell bodies. H&E stain. Russell bodies are inclusion bodies usually found in atypical plasma cells that become known as Mott cells. [1] Russell bodies are eosinophilic, homogeneous immunoglobulin (Ig)-containing inclusions usually found in cells undergoing excessive synthesis of Ig; the Russell body is characteristic of the ...
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
History of Dutch and Flemish painting; Periods; Early Netherlandish (1400–1523) Renaissance painting (1520–1580) Northern Mannerism (1580–1615) Dutch "Golden Age" painting (1615–1702) Flemish Baroque painting (1608–1700) Hague School (1860–1890) Amsterdam Impressionism (1885–1930) De Stijl (1917–1931) Lists
Charles Marion Russell (March 19, 1864 – October 24, 1926), [1] [2] also known as C. M. Russell, Charlie Russell, and "Kid" Russell, was an American artist of the American Old West. He created more than 2,000 paintings of cowboys, Native Americans, and landscapes set in the western United States and in Alberta, Canada , in addition to bronze ...
The painting is discussed by the narrator (a young man) and his mother during a visit to the Met in The Goldfinch, a 2013 novel by Donna Tartt. 2014's The Anatomy Lesson by Nina Siegal is a fictionalized account of the painting's creation and backstory, based on six years of historical research and archival documents about Aris Kindt's life.
The more recent and specific sense of the word art as an abbreviation for creative art or fine art emerged in the early 17th century. [18] Fine art refers to a skill used to express the artist's creativity, or to engage the audience's aesthetic sensibilities, or to draw the audience towards consideration of more refined or finer works of art.
The painting's realism is clearly influenced by photography, although the hand and the face show impressionistic brushstrokes, foreshadowing the direction of Russell and Van Gogh's art. [6] Russell's use of browns, reds and flesh tones are in keeping with the traditional académie palette, but the way in which the light falls across the sitter ...
It is placed centrally in Hall VII on the first floor. This so-called "Rubens Hall", which was designed specifically for the painting with its triumphal arch opposite and referring to the painting, is in turn the largest hall in the museum. The painting is the only one still placed in the same place as when the museum was founded in 1836. [4]