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He drew on traditions of Etruscan and Northern European sculpture in developing these themes. His aim was to develop mythical images by interpreting classical themes in light of modern concerns and techniques. [13] Marini is particularly famous for his series of stylised equestrian statues, which feature a man with outstretched arms on a horse ...
Leonardo da Vinci's study in silverpoint for The Horse, c. 1488 [1] Study in silverpoint for the monument (abandoned design), c. 1490 [2]. Leonardo's Horse (also known as the Sforza Horse or the Gran Cavallo ("Great Horse") ) is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed.
He is hanging limp as his weary horse with swollen eyes comes to the edge of the Pacific Ocean. The wind blowing the horse's tail suggests they have their backs to the wind. [1] The man in the statue is based on Seneca Chief John Big Tree, and the horse was adapted from one in another work, In the Wind. The statue is a commentary on the damage ...
An equestrian statue is a statue of a rider mounted on a horse, from the Latin eques, meaning 'knight', deriving from equus, meaning 'horse'. [1] A statue of a riderless horse is strictly an equine statue. A full-sized equestrian statue is a difficult and expensive object for any culture to produce, and figures have typically been portraits of ...
The statue was described by Damião de Góis as being in stone and standing on a slab. It depicted a man riding a horse. [1] The man was pointing towards the west, his right arm and index finger outstretched, while his left rested on the horse's mane. [2] The man wore a moorish tunic but no hat. [3]
The sculpture depicts a man riding on a horse, naked and barefoot, without tack – no saddle, bridle, or other riding equipment. The man's right hand rests on the horse's stylised mane, with his left hand resting on the horse's left flank. The horse is standing still on four legs, ready to walk, on a rough bronze base.
It took 12 years, from 1770 to 1782, to create the Bronze Horseman, including pedestal, horse and rider. The tsar 's face is the work of the young Marie-Anne Collot , then only 18 years old. She had accompanied Falconet as an apprentice on his trip to Russia in 1766.
The monument was constructed by Enrico Cerracchio in 1924 and dedicated on August 16, 1925. [3] Modeled on Stephen Seymour Thomas' painting, General Sam Houston at San Jacinto [4], the equestrian statue depicts Sam Houston atop his horse, wearing military attire and a long cape.