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Arthur Brooke (died 19 March 1563) was an English poet who wrote and created various works including The Tragical History of Romeus and Juliet (1562), considered to be William Shakespeare's chief source for his tragedy Romeo and Juliet (published in 1597).
In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
A mock-Victorian revisionist version of Romeo and Juliet 's final scene (with a happy ending, Romeo, Juliet, Mercutio, and Paris restored to life, and Benvolio revealing that he is Paris's love, Benvolia, in disguise) forms part of the 1980 stage-play The Life and Adventures of Nicholas Nickleby. [144]
William Shakespeare used the plot of the Iliad as source material for his play Troilus and Cressida but focused on a medieval legend, the love story of Troilus, son of King Priam of Troy, and Cressida, daughter of the Trojan soothsayer Calchas. The play, often considered to be a comedy, reverses traditional views on events of the Trojan War and ...
Press illustration of act 3, scene 2, as staged in the original production. Scene 1: Laurent's cell. Roméo and Juliette, accompanied by Gertrude, go to the cell, and the wedding takes place. Laurent hopes that reconciliation between the houses of the Montagus and the Capulets may thus take place. Scene 2: a street near Capulet's palace
The plot of Shakespeare's Romeo and Juliet takes place over four days while Brooke's narrative takes place over many months. Little is known about Arthur Brooke. He was admitted as a member of Inner Temple on 18 December 1561 under the sponsorship of Thomas Sackville and Thomas Norton. [2]
[5] The early tragedies Appius and Virginia, and Tancred and Gismund were taken from The Palace of Pleasure. [5] Shakespeare's Romeo and Juliet, Timon of Athens, Edward III, and All's Well That Ends Well are all derived from Painter, the last from his translation of Giletta of Narbonne. Other playwrights likewise made extensive use of work by ...
The scene of the play that contains those quotations is a comic scene that features a poet attempting to compose a love poem at the behest of his king, Edward III. [82] At the time Edward III was published, Shakespeare's sonnets were known by some, but they had not yet been published.