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  2. The Piano Has Been Drinking (Not Me) (An Evening with Pete ...

    en.wikipedia.org/wiki/The_Piano_Has_Been_Drinking...

    "The Piano Has Been Drinking (Not Me) (An Evening with Pete King)", often referred to as "The Piano Has Been Drinking", is a song written and performed by Tom Waits. The song first appeared on his 1976 album Small Change , and an extended live version on the 1981 compilation album Bounced Checks .

  3. Doing It to Death - Wikipedia

    en.wikipedia.org/wiki/Doing_It_to_Death

    "Doing It to Death", also known as "Gonna Have a Funky Good Time", is a funk song recorded by The J.B.'s featuring James Brown. A 10-minute, two-part version of "Doing It to Death" was included on a J.B.'s album of the same name.

  4. Chord chart - Wikipedia

    en.wikipedia.org/wiki/Chord_chart

    The term "chord chart" can also describe a plain ASCII text, digital representation of a lyric sheet where chord symbols are placed above the syllables of the lyrics where the performer should change chords. [6] Continuing with the Amazing Grace example, a "chords over lyrics" version of the chord chart could be represented as follows:

  5. Passing chord - Wikipedia

    en.wikipedia.org/wiki/Passing_chord

    Passing chords may be written into a lead sheet by a composer, songwriter, or arranger. As well, particularly in smaller ensembles, such as the organ trio or jazz quartet, the comping (chord-playing) rhythm section instrumentalists (e.g., jazz guitar, jazz piano, Hammond organ) may improvise passing chords.

  6. Turnaround (music) - Wikipedia

    en.wikipedia.org/wiki/Turnaround_(music)

    Sometimes, especially in blues music, musicians will take chords which are normally minor chords and make them major. The most popular example is the I–VI–ii–V–I progression; normally, the vi chord would be a minor chord (or m 7, m 6, m ♭ 6 etc.) but here the major third makes it a secondary dominant leading to ii, i.e. V/ii.

  7. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...