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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The first Sonata for viola and piano (‹See Tfd› German: Sonate für Bratsche und Klavier), also known as Sonata in F, Op. 11, No. 4, by Paul Hindemith was composed in 1919. It is the fourth of five instrumental sonatas comprising his opus 11. This sonata and the following Op. 11 No. 5 for solo viola mark Hindemith's decision to abandon ...
A viola concerto is a concerto contrasting a viola with another body of musical instruments such as an orchestra or chamber music ensemble. Throughout music history, especially during the Baroque, Classical, Romantic eras, viola was viewed mostly as an ensemble instrument. Though there were a few notable concertos written for the instrument in ...
The viola (/ viˈoʊlə / vee-OH-lə, [ 1 ]Italian: [ˈvjɔːla, viˈɔːla]) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is ...
The viola sonata is a sonata for viola, sometimes with other instruments, usually piano.The earliest viola sonatas are difficult to date for a number of reasons: in the Baroque era, there were many works written for the viola da gamba, including sonatas (the most famous being Johann Sebastian Bach's Three Sonatas for Viola da Gamba and Harpsichord, now most often played on the cello) [citation ...
Viola Concerto (Walton) The Viola Concerto by William Walton was written in 1929 and first performed at the Queen's Hall, London on 3 October of that year by Paul Hindemith as soloist and the composer conducting. It had been written with the violist Lionel Tertis in mind, and he took the work up after initially rejecting it.