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Macro or close-up modes tend to direct the camera's focus to be nearer the camera. They may shrink the aperture and restrict the camera to wide-angle in an attempt to broaden the depth-of-field (to include closer objects) – this last mode of operation is often known as Super Macro. Movie mode allows a still camera to take moving pictures.
The rule serves as a mnemonic for the camera settings obtained on a sunny day using the exposure value (EV) system. The basic rule is, "On a sunny day set aperture to f /16 and shutter speed to the [reciprocal of the] ISO film speed [or ISO setting] for a subject in direct sunlight." [1]
Hardware and software ("firmware"), built into the camera, measures luminance of the subject and automatically sets shutter speed, lens aperture or sensitivity; this also allows the camera to set the aperture for manual lenses fixed with an AE chip. [4] AE-L or AEL: Automatic exposure lock. Technology for holding an exposure setting from one ...
Scene modes vary from camera to camera, and these modes are inherently less customizable. They often include landscape, portrait, action, macro, night, and silhouette, among others. However, these different settings and shooting styles that "scene" mode provides can be achieved by calibrating certain settings on the camera.
To avoid confusion, some authors (Ray 2000, 310) have used camera exposure to refer to combinations of camera settings. The 1964 ASA standard for automatic exposure controls for cameras, ASA PH2.15-1964 , took the same approach, and also used the more descriptive term camera exposure settings .
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