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Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity ...
The four-looped square, or guilloche, is considered by some to be a "whirling sun" motif, or a priestly or chiefly litter; [17] by some, the earth held up by cords to the Sky Vault at the four cardinal points; [18] and by others, the path of life with four stages of maturity.
Native American In Native American Ojibwa culture the human mind was believed to be susceptible to dark spirits, when the mind is weakest (I.e. asleep) and would give bad dreams. In defense the men and women would weave dream catchers. These talismans would let the good dream spirits through, whilst trapping the bad spirits in the pattern.
The Kongo cosmogram (also called yowa or dikenga cross, Kikongo: dikenga dia Kongo or tendwa kia nza-n' Kongo) is a core symbol in Bakongo religion that depicts the physical world (Ku Nseke), the spiritual world (Ku Mpémba), the Kalûnga line that runs between the two worlds, the sacred river that forms a circle through the two worlds, the four moments of the sun, and the four elements.
Jewellery (or jewelry in American English) consists of decorative items worn for personal adornment such as brooches, rings, necklaces, earrings, pendants, bracelets, and cufflinks. Jewellery may be attached to the body or the clothes. From a western perspective, the term is restricted to durable ornaments, excluding flowers for example.
The primary non-Native source for academic information on Zuni fetishes is the Second Annual Report of the Bureau of Ethnology submitted in 1881 by Frank Hamilton Cushing and posthumously published as Zuni Fetishes in 1966, with several later reprints. Cushing reports that the Zuni divided the world into six regions or directions: north, west ...