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v. t. e. Celtic chant is the liturgical plainchant repertory of the Celtic rite of the Catholic Church performed in Celtic Britain, Gaelic Ireland, and Brittany. It is related to, but distinct from the Gregorian chant of the Sarum use of the Roman rite which officially supplanted it by the 12th century. Although no Celtic chant was notated ...
Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe (the modern Celtic nations). [1][2] It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of ...
Crwth — the ancient Celtic lyre. Not much is known about the ancient Celtic lyre, only that it was used by Celtic bards since the 8th century BC and that it was later well known in Rome, where it was called lyra. [41] Its resonator was made from wood, while only few components were made from bones.
Irish music is music that has been created in various genres on the island of Ireland. The indigenous music of the island is termed Irish traditional music (or Irish folk music). It has remained vibrant through the 20th and into the 21st century, despite globalising cultural forces. In spite of emigration and mass exposure to music from Britain ...
In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant. [4] The development of British Christianity, separate from the direct influence of Rome until the eighth century, with its flourishing monastic culture, led to the development of a distinct form of liturgical Celtic chant. [5]
noirin.love. Nóirín Ní Riain (born 12 June 1951) is an Irish singer, writer, teacher, theologian, and authority on Gregorian Chant (plainchant, plainsong). She is primarily known for spiritual songs, [1] but also sings Celtic music, sean-nós and Indian songs. Nóirín plays an Indian harmonium (surpeti), shruti box and feadóg (whistle).
In the Early Middle Ages there was a distinct form of liturgical Celtic chant. It is thought to have been superseded from the eleventh century, as elsewhere in Europe, by the more complex Gregorian chant. The English Sarum Use was the basis for most surviving chant in Scotland. From the thirteenth century, Scottish church music was increasingly ...
Sport, play and fighting. " Bold Thady Quill " – a Cork song written about 1895 by Johnny Tom Gleeson (1853–1924) [ 101 ] "The Bold Christy Ring" – song about Cork hurler Christy Ring to the tune of Bold Thady Quill. "The Contender" – song by Jimmy Macarthy about 1930s Irish boxer Jack Doyle, recorded by Christy Moore.