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Sgt. Pepper's Lonely Hearts Club Band. The Beatles ' 1967 album Sgt. Pepper's Lonely Hearts Club Band has a widely recognized album cover that depicts several dozen celebrities and other images. The image was made by posing the Beatles in front of life-sized, black-and-white photographs pasted onto hardboard and hand-tinted.
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The album's original artwork depicted an image of a man's body exploding as the xenomorph from the Alien franchise holding a Stratocaster guitar emerges from his chest. The album was reportedly banned for being "too grotesque", [32] and on the 1995 reissue, the artwork was replaced by a blurry black-and-white picture of a man. It was later ...
Released: August 3, 1995. Age Ain't Nothing but a Number is the debut studio album by American singer Aaliyah. It was released on May 24, 1994, by Blackground Records and Jive Records. After being signed by her uncle Barry Hankerson, Aaliyah was introduced to recording artist and producer R. Kelly. He became her mentor, as well as the lead ...
Steal Your Face is a live double album by the Grateful Dead, released in June 1976. It is the band's fifth live album and thirteenth overall. The album was recorded October 17–20, 1974, at San Francisco 's Winterland Ballroom, during a "farewell run" that preceded a then-indefinite hiatus. It was the fourth and final album released by the ...
The Beatles (1968) Yellow Submarine (1969) The Beatles, also referred to colloquially as the White Album, is the ninth studio album and only double album by the English rock band the Beatles, released on 22 November 1968. Featuring a plain white sleeve, the cover contains no graphics or text other than the band's name embossed.
Jean-Michel Basquiat (French pronunciation: [ʒɑ̃ miʃɛl baskja]; December 22, 1960 – August 12, 1988) was an American artist who rose to success during the 1980s as part of the Neo-expressionism movement. Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all ...
Monster is the ninth studio album by American rock band R.E.M., released by Warner Bros. Records in the UK on September 26, 1994, and in the US the following day. [1] It was produced by the band and Scott Litt and recorded at four studios.