Search results
Results From The WOW.Com Content Network
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more
Roman mosaic depicting actors and an aulos player (House of the Tragic Poet, Pompeii). The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. [1] The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in ...
Ancient Greek actors (2 C, 9 P) R. Ancient Roman actors (22 P) Pages in category "Ancient actors" This category contains only the following page.
Roman actors were forbidden to have contact with Christian women, own slaves, or wear gold. They were officially excommunicated, denied the sacraments, including marriage and burial, and were defamed throughout Europe. For many centuries thereafter, clerics were cautioned to not allow travelling actors to perform in their jurisdiction. [3]
Romanization or Latinization (Romanisation or Latinisation), in the historical and cultural meanings of both terms, indicate different historical processes, such as acculturation, integration and assimilation of newly incorporated and peripheral populations by the Roman Republic and the later Roman Empire. The terms were used in ancient Roman ...
Her epitaph states that she had recently danced at "the games of the nobles", [3] [4] and that she had performed on the Greek stage before the People. [5] Eucharis was originally a slave, then a freedwoman, of the Roman woman Licinia. [6] In contrast to Greece, where only male actors were allowed, the Romans allowed female performers.
The Roman people was the body of Roman citizens (Latin: Rōmānī; Ancient Greek: Ῥωμαῖοι Rhōmaîoi) [a] during the Roman Kingdom, the Roman Republic, and the Roman Empire. This concept underwent considerable changes throughout the long history of the Roman civilisation, as its borders expanded and contracted.
Ancient authors make conflicting statements on whether Roman actors also wore masks in the time of Terence. For a time, Christian Hoffer's 1877 dissertation On the Use of Masks in Publius Terentius' Comedies won universal acceptance for the view that masks were not worn at the original performances of the plays of Terence.