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Credited to Stookey-Mason-Dixon, the song's lyrics reference contemporary rock artists including the Mamas & the Papas, Donovan, and the Beatles.The song parodies and satirizes the vocal style of the Mamas & the Papas in the first verse, Donovan in the second verse and the Beatles in the third verse.
The song was written by Jon Anderson, Chris Squire, Bill Bruford, and Steve Howe, all of whom were members of Yes at the time.Bruford said his writing contribution to the song consisted of "a handful of chords and a sliver of melody at 3.45 repeated at 5.06 and again at 8.11".
Cash Box called "Rock and Roll Girls" a "pure rock celebration" and said that "Fogerty’s lead vocal is classic." [8] Rolling Stone Magazine critic Kurt Loder praised "Rock and Roll Girls" as "a rather spectacular demonstration of what can still be done with three shitty chords and a blazing sax.” [9] The Age critic Mike Daily described it as having "the breezy appeal of a Buddy Holly song."
A customized version of the song, "Life Is a Rock, but 'CFL Rolled Me", was the last rock and roll song played on the Larry Lujack show on WCFL in Chicago [9] on March 15, 1976, before the station switched from Top 40 to beautiful music format. Rival AM station WLS had their own rendition: "Life Is a Rock, WLS Rolled Me".
The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The tune and lyrics were collected and published in Carl Sandburg's 1927 American Songbag. [ 9 ] An important recording in this song's history was the 1927 Columbia Records master (15206-D) performed by Hugh Cross and Riley Puckett under the actual title of "Red River Valley".
"Honey in the Rock" is a song by New Zealand singer-songwriter Brooke Ligertwood and American contemporary worship musician Brandon Lake. It impacted Christian radio stations in the United States on 25 March 2022, [ 1 ] becoming the second single from Ligertwood's first live album, Seven (2022).