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Tsui Hark (Chinese: 徐克, Vietnamese: Từ Khắc, born 15 February 1950), born Tsui Man-kong (Vietnamese: Từ Văn Quang), is a Hong Kong filmmaker.Tsui has directed several influential Hong Kong films such as Zu Warriors from the Magic Mountain (1983), the Once Upon a Time in China film series (1991–1997) and The Blade (1995).
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Seven Swordsmen is a 2006 Chinese television series directed by Clarence Fok and produced by Tsui Hark. The series is loosely adapted from Liang Yusheng's wuxia novels Qijian Xia Tianshan and Saiwai Qixia Zhuan. It is also the television series counterpart to the 2005 film Seven Swords, which was also directed and produced by Tsui Hark. This ...
Once Upon a Time in China is a Hong Kong film and television franchise created and produced by Tsui Hark, consisting of six films and a television series released between 1991 and 1997. Tsui also directed four of the films and co-wrote the first five as well as an episode of the television series.
A Chinese Ghost Story: The Tsui Hark Animation (Chinese: 小倩) is a 1997 Hong Kong fantasy animated film. It was written and produced by Tsui Hark and his production company Film Workshop . The animation was produced by Japanese animation studio Triangle Staff .
Flying Swords of Dragon Gate is a 2011 wuxia film directed by Tsui Hark and starring Jet Li, Zhou Xun, Chen Kun, Li Yuchun, Gwei Lun-mei, Louis Fan and Mavis Fan.The film is a remake of Dragon Gate Inn (1966) and New Dragon Gate Inn (1992) but takes place three years after.
Once Upon a Time in China V is a 1994 Hong Kong–Chinese martial arts action film written and directed by Tsui Hark.The film is the fifth installment in the Once Upon a Time in China film series, with Vincent Zhao reprising his role as Chinese martial arts master and folk hero of Cantonese ethnicity Wong Fei-hung after taking over the character from Jet Li in Once Upon a Time in China IV.
Derek Elley of Variety.com called it "Tsui's career nadir" [3] and The Hollywood Reporter called it "quite a messy piece of work" and a "hodge-podge of genres", concluding that "the whole thing looks quickly shot and put together, from the unexceptional underwater scenes to an oft-repeated theme song about undying love."