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Te Awekotuku, Ngahuia, "Tā Moko: Māori Tattoo", in Goldie, (1997) exhibition catalogue, Auckland: Auckland City Art Gallery and David Bateman, pp. 108–114. Te Awekotuku, Ngahuia, "More than Skin Deep", in Barkan, E. and Bush, R. (eds.), Claiming the Stone: Naming the Bones: Cultural Property and the Negotiation of National and Ethnic ...
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Tattoos, as well as other forms of art in Rapa Nui, blends anthropomorphic and zoomorphic imagery. [3] The most common symbols represented were of the Make-Make god, Moais, Komari (the symbol of female fertility), the manutara, and other forms of birds, fish, turtles or figures from the Rongo Rongo tablets.
For example, Polynesian tribal tattoos represent different meanings (e.g., accomplishments, location, personality, etc.) within the Polynesian culture. Many tribal tattoo designs include symmetry ...
Along with Viriamo, Ana Eva Hei was among the last surviving women from Rapa Nui to receive traditional facial tattoos. [2] Her tattoos were described by Alfred Métraux, who undertook a research expedition to her home from 1934 to 1935. He stated that her tattoos included: "two parallel stripes crossing her forehead from one ear to the other ...
Marquesan tattoos can be recognized by 'trademark symbols', such as geckos, centipedes, Ti'i's, the Marquesan Cross (which is also commonly confused with other designs) and other geometric designs. Marquesan designs distinguish themselves through the use of symbols and consistent artistic renderings of lines, arches and circles, which are ...
Manu Farrarons. Manu Farrarons (born 1967) is a French-born Polynesian tattoo artist.Farrarons' art is a mix of Polynesian styles and designs, mostly Tahitian and Marquesan, which he mixes with Māori and Hawaiian influences.
Tavana Salmon (13 January 1920 – 24 September 2024) was a French Polynesian culture advocate and tattoo artist. [1] In 1982, he began his contributions to Polynesian culture through his tattoo practice.