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In the early 18th century, men's shoes continued to have a squared toe, but the heels were not as high. From 1720 to 1730, the heels became even smaller, and the shoes became more comfortable, no longer containing a block toe. The shoes from the first half of the century often contained an oblong buckle usually embedded with stones. [17]
Heel – toe 2 Right foot to side Almost backing line of dance Slightly less than 3 ⁄ 8 between 1 and 2 Toe 3 Left foot to side and slightly forward Pointing diagonal wall Slightly over 3 ⁄ 8 between 2 and 3; body turns less Toe – heel 1 Right foot forward in contra body movement position (CBMP), outside partner (OP) Facing diagonal wall Heel
The sole was made of wood, cork, or leather and the upper chiefly consisted of a strap between the big toe and second toe and another around the ankle. [6] The sandal of Homer was the pédila (πέδιλα). [7] [8] By the Classical Period, the general term for sandals was hypódēma (ὑπόδημα). [8]
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A wide ribbon sash is fastened with a gold buckle. German, 1827. Sarah Stanton Blake wears a frilled indoor cap trimmed with sheer ribbon and a high-necked chemise or chemisette under her black dress and scarlet shawl. Massachusetts, c. 1827. Dress of silk and cotton gauze, dyed chrome yellow and block printed with a chinoiserie pattern, Europe ...
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