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In 1887, Salvatore Capezio, an Italian cobbler emigrated to the United States, opened a shoe repair shop near the old Metropolitan Opera House in New York City. [1] He began his business by repairing theatrical shoes for the Met, and transitioned from cobbler to shoemaker when he created a fine pair of shoes for Polish tenor Jean de Reszke in an emergency.
Salvatore Capezio (1871–1940) was an Italian-born shoemaker who established Capezio, one of the world's largest manufacturers of dance apparel and specialized dance shoes, including ballet pointe shoes. He was born in Muro Lucano, Italy. Several scholarships and awards for dancers have been established in Salvatore Capezio's name. [1]
Ben Sommers (1906-1985) was a leading philanthropic figure in the world of dance, and president of the Capezio dance and theatre shoe company from 1940 to his death. [1] He established the Capezio Foundation in 1951, which focused on dance, especially the regional ballet movement. [1]
For example, in 2013 New York City Ballet ordered 8,500 pairs (for 180 dancers) [21] [22] and the Royal Ballet used approximately 12,000 pairs of pointe shoes. [23] [24] The lifetime of a pointe shoe depends on many factors, including: Usage: More aggressive dance styles and more frequent, longer durations of use will hasten wear.
She popularized the ballet flat when, responding to the shortage of leather, McCardell commissioned Capezio to produce a range of ballet flats to match her designs. [12] When the government announced a surplus of weather balloon cotton materials in 1944, McCardell quickly bought them up, using them to design clothes that patriotic American ...
"Fear of Men in Tights." Dance Magazine 79.11 (2005): p. 56-59 "Sexual Orientation and Professional Dance." Archives of Sexual Behavior 26.4 (1997): p. 433-444 "Ballet In Western Culture: A History of its Origins and Evolution" New York: Routledge, 2002. "Jules Janin: Romantic Critic" Rethinking the Sylph:New Perspectives on the Romantic Ballet.
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