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Egyptian revival decorative arts is a style in Western art, mainly of the early nineteenth century, in which Egyptian motifs were applied to a wide variety of decorative arts objects. Enthusiasm for the artistic style of Ancient Egypt is generally attributed to the excitement over Napoleon's conquest of Egypt and, in Britain, to Admiral Nelson ...
During the Dynastic Period, which began in around 3200 BCE, Egyptian art developed significantly, and this included furniture design. [14] Egyptian furniture was primarily constructed using wood, but other materials were sometimes used, such as leather, [15] and pieces were often adorned with gold, silver, ivory and ebony, for decoration. [15]
Designed by Jean-Baptiste Kléber, later French commander in Egypt, the building had a billiards room and a bagnio. During the 2nd half of the 18th century, with the rise of Neoclassicism, sometimes architects mixed the Ancient Greek, Roman and Egyptian styles. They wanted to discover new shape and ornament ideas, rather than to be just ...
Much of the old Egyptian furniture which still survives to this day has only survived due to the ancient Egyptians beliefs about the afterlife. Furniture would be placed in tombs, and a result would survive to the modern day. [39] However, much of this furniture is from the New Kingdom of Egypt, and specifically the 18th Dynasty.
It was designed by the French government to highlight the new modern style of architecture, interior decoration, furniture, glass, jewelry and other decorative arts in Europe and throughout the world. Many ideas of the international avant-garde in the fields of architecture and applied arts were presented for the first time at the exposition.
Secrétaire à abattant by Jean-François Leleu, Paris, ca 1770 (Musée Nissim de Camondo, Paris). French furniture comprises both the most sophisticated furniture made in Paris for king and court, aristocrats and rich upper bourgeoisie, on the one hand, and French provincial furniture made in the provincial cities and towns many of which, like Lyon and Liège, retained cultural identities ...
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Egypt's first architectural competition was held in 1894 for the design of the Egyptian Museum, housing the country's growing collection of antiquities. The winner, French architect Marcel Dourgnon, designed a large Neoclassical building completed in 1902. [85] Abu al-Abbas al-Mursi Mosque in Alexandria (completed in 1945), in neo-Mamluk style