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Relative luminance follows the photometric definition of luminance including spectral weighting for human vision, but while luminance is a measure of light in units such as /, relative luminance values are normalized as 0.0 to 1.0 (or 1 to 100), with 1.0 (or 100) being a theoretical perfect reflector of 100% reference white. [1]
The word was proposed to prevent confusion between luma as implemented in video engineering and relative luminance as used in color science (i.e. as defined by CIE). Relative luminance is formed as a weighted sum of linear RGB components, not gamma-compressed ones. Even so, luma is sometimes erroneously called luminance. [2]
A luminance meter is a device used in photometry that can measure the luminance in a particular direction and with a particular solid angle. The simplest devices measure the luminance in a single direction while imaging luminance meters measure luminance in a way similar to the way a digital camera records color images.
A comparison between a typical normalized M cone's spectral sensitivity and the CIE 1931 luminosity function for a standard observer in photopic vision. In the CIE 1931 model, Y is the luminance, Z is quasi-equal to blue (of CIE RGB), and X is a mix of the three CIE RGB curves chosen to be nonnegative (see § Definition of the CIE XYZ color space).
For example, when an ordinary RGB digital image is compressed via the JPEG standard, the RGB color space is first converted (by a rotation matrix) to a YCbCr color space, because the three components in that space have less correlation redundancy and because the chrominance components can then be subsampled by a factor of 2 or 4 to further ...
Note that luma is not directly calculated from luminance, it is the (somewhat arbitrary) weighted sum of gamma compressed RGB components. [ 1 ] Likewise, brightness is sometimes applied to various measures, including light levels, though it more properly applies to a subjective visual attribute.
The RGB color model is an additive color model [1] in which the red, green, and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors , red, green, and blue.
Standard SMPTE cinema screen luminance [10] 80 cd/m 2: Monitor white in the sRGB reference viewing environment 250 cd/m 2: Peak luminance of a typical LCD monitor [11] [12] 700 cd/m 2: Typical photographic scene on overcast day [7] [9] [12] 10 3: kcd/m 2: 1 kcd/m 2: Cloudy sky at noon [4] [12] 2 kcd/m 2: Average cloudy sky [5] [12] 2.5 kcd/m 2 ...