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"N.Y. State of Mind" is a song by hip hop recording artist Nas from his debut studio album Illmatic (1994). The song's production was handled by DJ Premier who sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd. [1] Premier additionally scratched up vocal samples from Eric B. & Rakim's "Mahogany" for the song's ...
Illmatic (stylized in lowercase) is the debut studio album by the American rapper Nas.It was released on April 19, 1994, by Columbia Records.After signing with the label with the help of MC Serch, Nas recorded the album in 1992 and 1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City.
“N.Y. State of Mind” quickly became a Tri-State anthem. Nas said in the 2014 documentary Time Is Illmatic that it was strategically placed near the top of the tracklist to “bring [listeners ...
"New York State of Mind" is a song written by Billy Joel that is featured on his fourth studio album, Turnstiles (1976). Although it was never released as a single, it has become a fan favorite and a song that Joel plays regularly in concert. [ 3 ]
De La Soul will join Wu-Tang Clan and Nas as special guests of the N.Y. State of Mind Tour concert, […] The post Wu-Tang and Nas’ N.Y. State of Mind Tour concert to be livestreamed on Prime ...
"Let's hear it for New York," Alicia Keys sings on her collaboration with Jay-Z, "New York State of Mind." The iconic and Grammy-winning song was the state delegation's choice as its musical ...
The song's title, similar to "New York State of Mind" by Billy Joel and "N.Y. State of Mind" by Nas, is a play on and tribute to New York's nickname "Empire State". The song originally featured Hunte on the hook, but when Hunte and Sewell-Ulepic were asked if they thought anyone else would be more appropriate for the chorus, Hunte suggested Keys.
Nas in 1998, several years after the release of Illmatic.. Illmatic, the 1994 debut album by Nas, made a significant impact on the hip hop genre. The album has been credited as one of the pivotal works that returned East Coast hip hop, particularly Queensbridge's hip hop scene, to prominence in a time when public attention was focused on West Coast releases.