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Chinese calligraphy and ink and wash painting are closely related: they are accomplished using similar tools and techniques, and have a long history of shared artistry. Distinguishing features of Chinese painting and calligraphy include an emphasis on motion charged with dynamic life.
A Chinese writing brush (traditional Chinese: 毛筆; simplified Chinese: 毛笔; pinyin: máo bǐ) is a paintbrush used as a writing tool in Chinese calligraphy as well as in Japanese, Korean, and Vietnamese which all have roots in Chinese calligraphy. They are also used in Chinese painting and other brush painting styles.
The Chinese Calligraphy and Painting Grading Dictionary (中国书画定级图典) states: "The calligraphy adopts the cursive script method of the Tang dynasty artist Huai Su, but it has already achieved a level of mastery that allows for free and versatile application. The brushwork is both vigorous and smooth.
The Four Treasures is expressed in a four-word couplet: "The four treasures of the study: Brush, Ink, Paper, Inkstone." (Chinese: 文房四寶：筆、墨、紙、硯; pinyin: Wén fáng sì bǎo: bǐ, mò, zhǐ, yàn) [4] [5] In the couplet mentioned, each of the Treasures is referred to by a single epithet; however, each of these are usually known by a compound name (i.e.
A brush pot (traditional Chinese: 筆筒; simplified Chinese: 笔筒; pinyin: bǐtǒng) is a container for holding the brushes used by scribes for Chinese calligraphy. [1] These are typically carved from bamboo or jade with ornate motifs symbolising concepts such as longevity. Antique examples are now valued highly. [2]
Chinese calligraphy of mixed styles by Song poet Mi Fu (1051–1107) Calligraphy was traditionally one of the four arts to be mastered by Chinese scholars, considered to be an artful means of expressing thoughts and teachings. Chinese calligraphy typically makes use of an ink brush to write characters.