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It is signed "REMBRANDT F.". It portrays two people who had been identified as Rembrandt himself and his wife Saskia. In the Protestant contemporary world, the theme of the prodigal son was a frequent subject for works of art due to its moral background. Rembrandt himself painted a Return of the Prodigal Son in 1669.
Saskia van Uylenburgh (Schloss Wilhelmshöhe, Kassel, Germany), 1633 The Prodigal Son in the Brothel, a self-portrait with Saskia van Uylenburgh (c. 1635) Rembrandt's portrait of Saskia van Uylenburgh (c. 1635) Saskia van Uylenburgh (West Frisian: Saakje fan Uylenburgh; 2 August 1612 – 14 June 1642) was the wife of painter Rembrandt van Rijn.
B19, Self-portrait with Saskia, etching, 1636, one of the "official" etched self-portraits. [ 34 ] B20, 1638, one of van de Wetering's tronies , in the dress of an aristocrat from a century earlier, with an invented beard to match.
Inscribed Rembrandt f. / 1633 Portrait of Saskia as a Bride: 1633: Silver pen on white-grounded parchment: ... Inscribed Rembrandt ft. 1637 Self-Portrait: c. 1637 ...
Flora or Saskia as Flora (Bode 336; Dut. 267; Wb. 412; B.-HdG. 189) is a 1634 oil-on-canvas painting by Rembrandt, depicting his wife Saskia van Uylenburgh as the goddess Flora. It is held by the Hermitage Museum in St. Petersburg .
In Rembrandt's self-portrait Rembrandt and Saskia in the Parable of the Prodigal Son, painted around 1635, Rembrandt portrayed himself with his wife Saskia van Uylenburgh in a scene in which she is sitting on his lap and he is toasting the viewer with a raised glass while his hand rests on the woman's hip.