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The Congress of Vienna recognised Marie Louise as ruler of Parma, Piacenza, and Guastalla, but prevented her from bringing her son to Italy. [81] It also made her Duchess of Parma for her life only, as the Allies did not want a descendant of Napoleon to have a hereditary claim over Parma. [69] After her death, the duchy was to revert to the ...
Marie Louise was born in Rome on 17 January 1870 as Maria Luisa Pia Teresa Anna Ferdinanda Francesca Antonietta Margherita Giuseppina Carolina Bianca Lucia Apollonia di Borbone-Parma, the eldest daughter of Robert I, Duke of Parma, and Princess Maria Pia of Bourbon-Two Sicilies. The couple produced eleven more children before Maria Pia died in ...
It also delved into Napoleon's personal life: his marriage to and divorce from Josephine de Beauharnais, his marriage to Marie Louise, the Duchess of Parma and daughter of Francis II, and his affairs with Eleanore Denuelle and Marie Walewska. The series draws from Max Gallo's biography.
On March 10, Austrian troops advanced on Parma, and the government submitted to Marie-Louise, who revoked all the measures taken by the provisional government. [97] Between June and July 1831, members of the provisional government were tried, with most receiving amnesty. On August 8, Marie-Louise returned to Parma in a freezing atmosphere. [98]
A list of cultural depictions of Marie Louise, Duchess of Parma, the second wife Napoleon and empress of France (1810-1814) Pages in category "Cultural depictions of Marie Louise, Duchess of Parma" The following 23 pages are in this category, out of 23 total.
Charles-René de Bombelles (6 November 1784–30 May 1856) was a French émigré nobleman, soldier, and the third husband of Marie Louise, Duchess of Parma. Marie Louise was the widow of the French emperor Napoleon, and her marriage to Charles was morganatic. Charles had served in the Austrian army during the Napoleonic Wars, and he was Grand ...
In 1816, upon the arrival of the new Duchess of Parma, Marie Louise (1791–1847), Napoleon's second wife, the old ducal palace still presented a rather labyrinthine and heterogeneous appearance, as depicted in a painting by Giuseppe Alinovi from around 1830. The large space left by the demolitions of the 18th century was now occupied by a ...
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