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The Conversion of Saint Paul, Luca Giordano, 1690, Museum of Fine Arts of Nancy The Conversion of Saint Paul, Caravaggio, 1600. The conversion of Paul the Apostle (also the Pauline conversion, Damascene conversion, Damascus Christophany and Paul's "road to Damascus" event) was, according to the New Testament, an event in the life of Saul/Paul the Apostle that led him to cease persecuting early ...
The contract signed on 24 September 1600 stipulates that "the distinguished painter, Michelangelo Merisi da Caravaggio" will paint two large cypress panels, ten palms high and eight palms wide, representing the conversion of Saint Paul and the martyrdom of Saint Peter within eight months for the price of 400 scudi. The contract gave a free hand ...
The Conversion of Saint Paul (or Conversion of Saul), by the Italian painter Caravaggio, is housed in the Odescalchi Balbi Collection of Rome. It is one of at least two paintings by Caravaggio of the same subject, the Conversion of Paul. Another is The Conversion of Saint Paul on the Road to Damascus, in the Cerasi Chapel of Santa Maria del Popolo.
The Conversion of Saul is a fresco painted by Michelangelo Buonarroti (c. 1542–1545). It is housed in the Pauline Chapel (Capella Paolina), Vatican Palace, in Vatican City. This piece depicts the moment that Saul is converted to Christianity while on the road to Damascus. Pope Paul III commissioned the work for the chapel of his namesake. The ...
The Conversion of Saint Paul on the Way to Damascus, a c. 1889 portrait by José Ferraz de Almeida Júnior. Paul's conversion to the movement of followers of Jesus can be dated to 31–36 AD [77] [78] [79] by his reference to it in one of his letters. In Galatians 1:16, Paul writes that God "was pleased to reveal his son to me."
Adams believed the play to have been written by an author from the East Midlands, to be performed at stations in a small village on 25 January, that being the Festival of the Conversion of St. Paul. [2] And while A. M. Kinghorn has it that the play was performed in a fixed locality and was the responsibility, not of the town's guilds, but of ...
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Bruegel shows Paul's army on its way to Damascus in contemporary dress and with 16th century armour and weapons. The saint himself is in a blue doublet and hose of the painter's day. Bruegel, having lived in Italy, was not unfamiliar with classical dress: his intention in representing biblical scenes in contemporary dress was to stress their ...