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John Ruskin (8 February 1819 – 20 January 1900) ... In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, because he ...
The Doge's Palace (Doge pronounced / d oʊ (d) ʒ /; Italian: Palazzo Ducale; Venetian: Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy.
John Ruskin wrote the fantasy story The King of the Golden River for Gray in 1841, when she was 12 and he was 21. Gray's family knew Ruskin's father and encouraged a match between the two when she had matured. After an initially unsteady courtship, she married Ruskin on 10 April 1848; she was 19 years old.
Following the restoration, the palace was opened to the public and used as a museum and palace of culture. Since 8 February 2008, the palace is managed by the "Genoa Palazzo Ducale Foundation for Culture". In addition to some commercial activities, it periodically hosts events, conferences and important art exhibitions. [5] [6]
The Doge's Palace is composed of oil on canvas and its dimensions are 25 3/4 x 36 1/2 inches.. This work depicts the Doge's Palace, an iconic landmark of Venice and the historic seat of government of the Republic of Venice, along with buildings of the Riva degli Schiavoni waterfront.
One of Bunney's Venetian paintings, La porta della Carta nel Palazzo Ducale, Venezia, 1879 . John Wharlton Bunney (20 June 1828 – 23 September 1882) was an English topographical and landscape artist of the nineteenth century. [1] His father was a merchant captain whom Bunney, as a boy, accompanied on several voyages around the world.
Mantua, Palazzo Ducale Mantua, Palazzo Te The Gonzaga Collection or Celeste Gallery (la Celeste Galeria) was the large collection of artworks commissioned and acquired by the House of Gonzaga in Mantua, Italy, exhibited for a time in the Palazzo Ducale, the Palazzo Te, the Palazzo San Sebastiano and other buildings in Mantua and elsewhere.
The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice . [ 1 ]