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"Everything I Do) I Do It for You" is a song by Canadian singer-songwriter Bryan Adams. Written by Adams, Michael Kamen, and Robert John "Mutt" Lange, the power ballad was the lead single for both the soundtrack album from the 1991 film Robin Hood: Prince of Thieves and Adams's sixth studio album, Waking Up the Neighbours (1991).
Almost Famous is a soundtrack album to the film of the same name, released in 2000. It was awarded the 2001 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media .
Last Song for You (Chinese: 久別重逢) is a 2024 Hong Kong romance film directed and written by Jill Leung in his directorial debut and produced by Wilson Yip.Starring Ekin Cheng, Natalie Hsu, Ian Chan, and Cecilia Choi, the film follows a washed-up songwriter (Cheng) who embarks on a journey with the daughter of his childhood love (Hsu) to navigate his life and heal old wounds.
It's Almost Dry is the fourth studio album by American rapper Pusha T.It was released on April 22, 2022 by GOOD Music and Def Jam Recordings. [1] It served as his final release with the former label.
"Almost Over You" is a 1983 single by Scottish singer Sheena Easton from her Best Kept Secret LP. It was written by Jennifer Kimball and Cindy Richardson. The single reached number 25 on the Billboard Hot 100, [1] while its Adult Contemporary peak was number 4. [2] In Canada, the song reached number 35 and number one on the Adult Contemporary ...
"Almost Is Never Enough" is a song recorded by American singer Ariana Grande and English singer Nathan Sykes. The pop and soul -influenced track was written by Grande, Harmony Samuels , Carmen Reece , Al Sherrod Lambert , Olaniyi-Akinpelu, and its producer, Moses Samuels.
"Done Too Soon" is a song written, composed and performed by Neil Diamond, and released on his 1970 album Tap Root Manuscript. Listed as track 4 on side one of the album, it was jointly arranged by Marty Paich and Lee Holdridge and jointly produced by Diamond and Tom Catalano .
Even though Ave Maria reappears extensively as diegetic music, its inclusion was treated as non-diegetic by the film-makers, the song being a bespoke recording by soprano Imogen Coward to match the film's tone, and the film being edited to her recording. The recording itself was timed to include a layer of narrative commentary for audiences ...